I really like this purple house sitting beyond the green.
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The paint gets very thick when I paint over old paintings. It reminds me of the Californian painter Jess as well as passages of heavily layered gouache (opaque watercolor) in the paintings of African-American artist Horace Pippin (1888 - 1946). There isn't a lot of air in Jess' paintings; they seem locked in, constructed of bumpy jigsaw pieces. Many of Pippin's paintings depict the bleak interiors of African-American homes he experienced in his lifetime. He frequently used flat shapes but his space is often airy however stark the scene. What I am talking about is very physical. I am beginning to work on clay reliefs which naturally connect to this idea. They will appear here if I am able to pull it off.
My physical and airy painting, Spring 2 (View from the Cobblestone School Playground), is exuberant. It is the moment when all of Rochester is altered into collective cheer at the sight of green. The grass is green first, which means the leaves are soon to follow. Old buildings that looked dingy under gray skies now sparkle in the sun. It has the excitement of Dippin' Dots (frozen tiny balls of ice cream that look like Styrofoam pellets) at the amusement park. Although totally artifice as the loud circles proclaim, it generates strong feeling. The form of the landscape is changed to mirror emotion.
2 comments:
Nicole,
I love this one. Such great color, texture and balance! I especially like the shadows on and from the trees, and the darker shades on the backs of the houses. Beautiful. :)
David
What a yummy treat!
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