Friday, May 17, 2013

Style


I recently discovered the band Vampire Weekend where I learn about most things: NPR. This quote resonated with me as I make yet another stylistic shift.
"You know, it's understandable. And we certainly didn't shy away from those things. But every time you make a new record, you have to ask yourself, 'Is that truly the essence of Vampire Weekend?' Now, we kind of feel like we're free from any specific sounds or ideas — that our approach to songwriting, and our approach to making music, we can take to new places."
I love painting. I can see many possibilities, and don't want to be tied down to any one idea. My own statement: I'm this but I'm also that.

Tuesday, May 14, 2013

New Work: Book Series

Book 1 oil on canvas 24" x 20" 2013

Book 2 oil on Arches oil paper 24" x 18" 2013

Book 3 oil on Arches oil paper 24" x 18" 2013

Book 4 oil on Arches oil paper 24" x 18" 2013

Book 5 oil on Arches oil paper 24" x 18" 2013

Tuesday, February 26, 2013

Paintings and Ceramic Reliefs at the Bowery Gallery, Chelsea

The show opens today! Please visit the gallery's website for hours. The show runs until March 23, 2013. The public is invited to a reception on Saturday, March 2nd from 4 - 6 p.m.
















Thursday, January 10, 2013

Press Release for "Paintings and Ceramics"


Nicole Maynard-Sahar: Paintings and Ceramic Reliefs
Press Release


Ranging in size from small to tiny, these abstracted landscapes are constructed of colored dots, staking out a point intriguingly between Pointillist painting and digital technologies. Textural variations within the ceramics create a shifting optical effect evoking the transitory nature of light.

The ceramics are painted with underglaze pastels covered by a glossy, clear glaze. They are pictures as well as objects; clay serves as canvas. 

A white stoneware body and irregular edges connote scrimshaw - here, fused with a painter's color sensibility (imagine Bonnard painting on bone).

Such intimacy in reliefs is rare.

Pointillist dots moving through much of the work are much larger and rounder than the traditional form. Each dot is painted freehand. Unlike pixels on a flat field, each dot is a graphic moment in time and space.  

Vertical bands bracket a glowing, entrancing center reminiscent of a movie screen, the theater stage, or a window. Curtains pull back to instantly reveal fresh scenery.   

Maynard-Sahar’s pictures offer the viewer an emotional lift, a brain hit, as music, drama, and nature do for many people. The artworks are icons of renewal made of color.


“Nicole Maynard-Sahar: Paintings and Ceramic Reliefs” is on view from February 26 - March 23, 2013, at the Bowery Gallery, 530 W. 25th St., 4th floor, New York, NY. The public is invited to an opening reception on March 2 from 4 p.m. - 6 p.m. Each work is affordably priced at $495. For more information, please call 646.230.6655 or online: http://bowerygallery.org.