14" x 14"
oil on canvas
I painted over an older painting and the (color of the) frame is now a part of the art work. It is a very physical thing, painting-as-object, in addition to the burnt orange square feeling dense like a Richard Serra paintstick piece or sculpture. It is some kind of hybrid of Serra, O'Keefe adobe houses and Josef Albers. The blue in the gray is complementary to the orange, but it isn't a picture about transparency like the Albers painting in the previous link. It's a tough painting, a Tae-Bo kick painting, not a Celine Dion painting. I don't usually paint this way, but here it is. Perhaps painting over an older piece made me think more about the physicality of the thing, the work as artifact.
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