Sunday, February 07, 2010

Ceramics Western NY Landscapes #13, 14, & 15


5" x 3"

3 1/2" x 4"

3" x 3 1/2"
ceramic reliefs

What would I do without NPR? A recent story about memory and time aired, enlightening me to the science behind the feeling of time speeding up as one gets older. My recent move, my son's transition to adolescence (evidenced by his wishing to say "crap" and "pissed off" as well as keeping me out of sight when the bus picks him up) and the appearance of new wrinkles make perfectly clear that time is marching on. We begin saying things we heard adults say when we were children such as "Where does the time go?" and "They grow up so fast." A friend from high school Facebooked that she knows she is old because she and her husband were falling asleep watching t.v. with their fifteen-year-old and her boyfriend. It was 8:00 p.m.

Back to NPR. The story is Why Does Time Fly as You Get Older by Robert Krulwich. Warren Meck, a psychology professor from Duke University, and a neuroscientist, David Eagleman, from Baylor College of Medicine provide the research. Essentially, when you are experiencing something new your brain takes in more details, more information. Repeat experiences don't do this and seem shorter. One might remember taking your new puppy on her first walk but a regular schedule walks in the same neighborhood with your grown dog may blend together. The flip side is that as one enters the "golden years" the moments become more precious and can again have the detail of youthful new experiences. The article has a great Simpsons clip called Homer Every Day which is so worth a look. [If you are trying to improve your memory (a decline starts at age thirty), one effective way is physical exercise.]

How does this relate to my work? The first two reliefs are continuations of work with side panels relating to the view from a kitchen window as well as the stage. The bottom piece is playful with its description of snow in the form of snowballs. I like their shiny quality that contributes to the sense of reflected light. The majority, if not all, of my ceramic landscapes are like memories. They aren't done from life but either from a specific place and environmental situation or from layered experiences (even Shrek says he is a complex individual, layered like an onion). I'm looking to do some paintings of the nearby bay from life as soon as it gets above forty-five degrees and isn't windy enough to blow my easel over - some new experiences to add to my layers.

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